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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Golden Age (1928-1955)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Leon Theremin; Clara Rockmore; RCA Theremin; Analog; Golden Years; Classical Era; Recitals; Classy;</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This is an era when the theremin might have been considered in it's prime. Material that really shines the theremin's classical and more traditional classy side. Or what I also like to call; The Rockmore Era. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Leon Theremin</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1928-1955</text>
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    <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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            <text>&lt;p&gt;&lt;strong&gt;EDGAR L. GOLDSMITH&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;WARREN E. THOMPSON&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Present&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;PAUL ROBESON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Baritone&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Assisted by&lt;br /&gt;&lt;strong&gt;CLARA ROCKMORE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Thereminist&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;The third event of the 1940–41&lt;br /&gt;&lt;strong&gt;History and Enjoyment of Music Series&lt;/strong&gt;&lt;br /&gt;Sponsored by Allied Arts Corporation&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sunday, November 24, 3:30 o'clock&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;AUDITORIUM THEATRE&lt;/strong&gt;&lt;/p&gt;</text>
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            <text>&lt;p&gt;&lt;strong&gt;PROGRAM&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;I.&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Go Down, Moses&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Arranged by H. T. Burleigh&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Swing Low, Sweet Chariot&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Arranged by Lawrence Brown&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Oh, No, John! (English Folk-Song)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Arranged by Cecil Sharp&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Night (Russian Folk-Song)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Arranged by Alexandroff&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;The Prayer&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Arranged by J. Engel&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;MR. ROBESON&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;II.&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Concerto in E minor&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Allegro moderato&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Andante cantabile&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Allegro giocoso&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Nardini&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ballad for Americans&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;MISS ROCKMORE&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;III.&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;MR. ROBESON&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;INTERMISSION&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;IV.&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Andante from Symphonie Espagnole&lt;/strong&gt; — Lalo&lt;br /&gt;&lt;strong&gt;Pièce en forme de Habanera&lt;/strong&gt; — Ravel&lt;br /&gt;&lt;strong&gt;Requiebros&lt;/strong&gt; — Cassado&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;MISS ROCKMORE&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;V.&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;The Orphan&lt;/strong&gt; — Moussorgsky&lt;br /&gt;&lt;strong&gt;After the Battle&lt;/strong&gt; — Moussorgsky&lt;br /&gt;&lt;strong&gt;Eriskey Love Lilt&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Arranged by Marjory Kennedy Fraser&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Nobody Knows de Trouble I've Seeen&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Arranged by Lawrence Brown&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joshua Fit de Battle ob Jericho&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Arranged by Lawrence Brown&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;MR. ROBESON&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;AT THE PIANO:&lt;/strong&gt;&lt;br /&gt;Lawrence Brown for Mr. Robeson&lt;br /&gt;Eugene Helmer for Miss Rockmore&lt;/p&gt;
&lt;p&gt;Victor Red Seal Records&lt;/p&gt;
&lt;p&gt;Tour Direction: Metropolitan Musical Bureau, Inc., 113 W. 57th St., New York City.&lt;br /&gt;Division of Columbia Concerts Corporation of Columbia Broadcasting System.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Note on the Theremin&lt;/strong&gt;&lt;br /&gt;For those in the audience who may not have heard the Theremin before, it is interesting to know that this instrument is named after its inventor, Russian scientist Theremin, and is unique in that the performer never touches it while playing. Tone is produced when the performer enters an electromagnetic field that is developed about the instrument. The pitch becomes higher or lower as the right hand approaches or moves away from the vertical rod; the volume is controlled by the distance of the left hand from the metal loop.&lt;/p&gt;</text>
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            <text>&lt;p&gt;&lt;strong&gt;CLARA ROCKMORE&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Clara Rockmore, who is Russian by birth and a former concert violinist, was one of the first to envision the great possibilities of the theremin as a concert instrument. Under the inventor's personal guidance she learned to master its intricate and difficult technique, and demonstrated extraordinary qualifications, foremost of which was the accuracy with which she produced the desired pitch from the air—“aerial fingering,” as one critic has since termed it.&lt;/p&gt;
&lt;p&gt;The first public demonstration of the theremin as a concert instrument was given by Miss Rockmore in Town Hall, New York, on October 30, 1934. It is Miss Rockmore's virtuosity, her dignity and worth as an artist, that has transformed the theremin from a scientific marvel into a legitimate musical instrument.&lt;/p&gt;</text>
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            <text>Paper; </text>
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              <text>1940-1941 Clara Rockmore (w/ Paul Robeson) Concert Program #2</text>
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          <name>Subject</name>
          <description>The topic of the resource</description>
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              <text>Clara Rockmore; Theremin; Program; Recital;</text>
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>Here's the second Clara Rockmore recital program to be featured in the theremin museum. In the 1940s, Clara Rockmore toured with singer Paul Robeson. A variety of information is described about Clara Rockmore and Leon Theremin's musical instrument. Enjoy the historical rarity of what is said about the theremin during this time period! </text>
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          <name>Creator</name>
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              <text>Public Domain (?)</text>
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          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <text>1940-1941</text>
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              <text>Public Domain (?)</text>
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          <name>Language</name>
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              <text>English</text>
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