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                  <text>The Golden Age (1928-1955)</text>
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                  <text>Leon Theremin; Clara Rockmore; RCA Theremin; Analog; Golden Years; Classical Era; Recitals; Classy;</text>
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                  <text>This is an era when the theremin might have been considered in it's prime. Material that really shines the theremin's classical and more traditional classy side. Or what I also like to call; The Rockmore Era. </text>
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                <text>1940-1941 Clara Rockmore (w/ Paul Robeson) Concert Program</text>
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                <text>Vintage program for performances of Clara Rockmore &amp; Paul Robeson. Presented by Arion Musical Club. Performance took place at the Milwaukee Auditorium in Milwaukee, WI on Monday, October 20th, 1941.</text>
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                <text>scanned &amp; uploaded JPEG; 9" x 6" physical dimensions - cover &amp; back + 6 pages inside</text>
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                  <text>This is an era when the theremin might have been considered in it's prime. Material that really shines the theremin's classical and more traditional classy side. Or what I also like to call; The Rockmore Era. </text>
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                <text>Man Teaches Woman Theremin  — 8x10 Photographs</text>
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                <text>These are original 8x10 prints of a woman + a man playing an RCA theremin. The thereminist in these photographs (his name is Charles D. Stein) seem to use two different wooden RCA theremin bases or two different theremins entirely. &#13;
&#13;
Very small handwritten notes mention "806 PP36". Notice the RCA Loudspeaker 106 featured. The theremin performer shown here seems to have a nice hat. Cowboy hats are cool!&#13;
&#13;
Subjects; Charles D. Stein (theremin) &amp; Unknown Woman</text>
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                  <text>This is an era when the theremin might have been considered in it's prime. Material that really shines the theremin's classical and more traditional classy side. Or what I also like to call; The Rockmore Era. </text>
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              <text>ADVERTISEMENT A1&#13;
5.5 x 4 inches  - Paper Clipping&#13;
-&#13;
Lucie Bigelow&#13;
ROSEN&#13;
"High priestess of the theremin."&#13;
NEW YORK TIMES&#13;
"The Theremin has neither keys, nor strings, nor sounding pedals, nor any other existing parts, that can recall a modern musical instrument. The infinite variety of sounds, is produced through oscillations of inaudible frequency between two electric magnetic fields of high frequency. When the hands, or any other foreign body, enter the magnetic fields, or approach the antennae, the inaudible waves become audible through the coupling of the two oscillations."&#13;
From "Misteri e Prodigi delle Radio Onde"&#13;
-&#13;
Season 1952-1953&#13;
TOUR of GEORGIA, FLORIDA, SOUTH CAROLINA&#13;
15 engagements booked already</text>
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              <text>ADVERTISEMENT B1&#13;
4.5 x 4 inches - Paper Clipping&#13;
-&#13;
Lucie Bigelow&#13;
ROSEN&#13;
"High priestess of the theremin."&#13;
NEW YORK TIMES&#13;
"The Theremin has neither keys, nor strings, nor sounding pedals, nor any other existing parts, that can recall a modern musical instrument. The infinite variety of sounds, is produced through oscillations of inaudible frequency between two electric magnetic fields of high frequency. When the hands, or any other foreign body, enter the magnetic fields, or approach the antennae, the inaudible waves become audible through the coupling of the two oscillations."&#13;
From "Misteri e Prodigi delle Radio Onde"&#13;
-&#13;
MUNICIPAL CONCERTS SERIES, FEB. 1953&#13;
10 APPEARANCES</text>
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                <text>Double Feature: x2 1940s Lucie Bigelow Rosen - Paper Clipping Ads</text>
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                <text>theremin; advertising; marketing; Lucie Bigelow Rosen; paper clippings;</text>
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                <text>"High priestess of the theremin." — These are two advertisements clipped from newspapers/flyers that advertise Lucie Bigelow Rosen's performances specifically from 1952-1953. Both cut-out ads feature the same photo of Rosen very majestically playing her theremin with the exact same quote from "Misteri e Prodigi delle Radio Onde" which basically translates to the fascinating phenomena of radio waves.</text>
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                <text>1952-1953</text>
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                <text>Text; Paper clippings</text>
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                  <text>Leon Theremin; Clara Rockmore; RCA Theremin; Analog; Golden Years; Classical Era; Recitals; Classy;</text>
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                  <text>This is an era when the theremin might have been considered in it's prime. Material that really shines the theremin's classical and more traditional classy side. Or what I also like to call; The Rockmore Era. </text>
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                  <text>Leon Theremin</text>
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                  <text>1928-1955</text>
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              <text>A Group of Soloists Who Have Won Success in Unusual Branches of the Concert&#13;
&#13;
ANDRÉS SEGOVIA&#13;
The American début of the great Spanish guitarist, in which Señor Segovia demonstrated that his chosen instrument had an almost unlimited field, was one of the outstanding successes of the year.&#13;
&#13;
LEON GOOSSENS&#13;
Brother of Eugene Goossens, composer and conductor, Leon Goossens introduced the oboe as a solo instrument to America this season in a program of little known works by classical and modern composers.&#13;
&#13;
LÉON THÉREMIN&#13;
An inventor rather than a musician, Professor Théremin has introduced a new instrument by means of which he draws music out of the ether, thereby providing the year's greatest novelty to two continents.&#13;
&#13;
SERGE KOUSSEVITZKY&#13;
Known primarily as the conductor of the Boston Symphony, Serge Koussevitzky began his career as a soloist on the double bass, an accomplishment which is now his avocation in occasional recitals.&#13;
&#13;
THE REVELERS&#13;
Entering the concert field by an unusual gateway—via radio broadcasting and gramophone recording, The Revelers, a quintet which has developed a remarkable vocal ensemble, are now making their first personal appearances.&#13;
&#13;
The names of The Revelers are Elliott Shaw, Frank Black, James Welton, Lewis James, and Wilfred Glenn.</text>
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                <text>The Musical Side-Show: Featuring Professor Leon Theremin</text>
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                <text>This original photograph from the 1920s/1930s features inventor Leon Theremin. In the middle photo, Leon is demonstrating his very own musical instrument instrument; the theremin.</text>
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                <text>Presented for educational and archival purposes under Fair Use. All rights remain with their respective copyright holders.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Presented for educational and archival purposes under Fair Use. All rights remain with their respective copyright holders.</text>
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                  <text>The Golden Age (1928-1955)</text>
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                  <text>Leon Theremin; Clara Rockmore; RCA Theremin; Analog; Golden Years; Classical Era; Recitals; Classy;</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="79">
                  <text>This is an era when the theremin might have been considered in it's prime. Material that really shines the theremin's classical and more traditional classy side. Or what I also like to call; The Rockmore Era. </text>
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                  <text>Leon Theremin</text>
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              <name>Date</name>
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                  <text>1928-1955</text>
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              <text>&lt;p&gt;&lt;strong&gt;EDGAR L. GOLDSMITH&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;WARREN E. THOMPSON&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Present&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;PAUL ROBESON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Baritone&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Assisted by&lt;br /&gt;&lt;strong&gt;CLARA ROCKMORE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Thereminist&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;The third event of the 1940–41&lt;br /&gt;&lt;strong&gt;History and Enjoyment of Music Series&lt;/strong&gt;&lt;br /&gt;Sponsored by Allied Arts Corporation&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sunday, November 24, 3:30 o'clock&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;AUDITORIUM THEATRE&lt;/strong&gt;&lt;/p&gt;</text>
            </elementText>
            <elementText elementTextId="296">
              <text>&lt;p&gt;&lt;strong&gt;PROGRAM&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;I.&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Go Down, Moses&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Arranged by H. T. Burleigh&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Swing Low, Sweet Chariot&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Arranged by Lawrence Brown&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Oh, No, John! (English Folk-Song)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Arranged by Cecil Sharp&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Night (Russian Folk-Song)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Arranged by Alexandroff&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;The Prayer&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Arranged by J. Engel&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;MR. ROBESON&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;II.&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Concerto in E minor&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Allegro moderato&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Andante cantabile&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Allegro giocoso&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Nardini&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ballad for Americans&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;MISS ROCKMORE&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;III.&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;MR. ROBESON&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;INTERMISSION&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;IV.&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Andante from Symphonie Espagnole&lt;/strong&gt; — Lalo&lt;br /&gt;&lt;strong&gt;Pièce en forme de Habanera&lt;/strong&gt; — Ravel&lt;br /&gt;&lt;strong&gt;Requiebros&lt;/strong&gt; — Cassado&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;MISS ROCKMORE&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;V.&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;The Orphan&lt;/strong&gt; — Moussorgsky&lt;br /&gt;&lt;strong&gt;After the Battle&lt;/strong&gt; — Moussorgsky&lt;br /&gt;&lt;strong&gt;Eriskey Love Lilt&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Arranged by Marjory Kennedy Fraser&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Nobody Knows de Trouble I've Seeen&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Arranged by Lawrence Brown&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joshua Fit de Battle ob Jericho&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Arranged by Lawrence Brown&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;MR. ROBESON&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;AT THE PIANO:&lt;/strong&gt;&lt;br /&gt;Lawrence Brown for Mr. Robeson&lt;br /&gt;Eugene Helmer for Miss Rockmore&lt;/p&gt;
&lt;p&gt;Victor Red Seal Records&lt;/p&gt;
&lt;p&gt;Tour Direction: Metropolitan Musical Bureau, Inc., 113 W. 57th St., New York City.&lt;br /&gt;Division of Columbia Concerts Corporation of Columbia Broadcasting System.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Note on the Theremin&lt;/strong&gt;&lt;br /&gt;For those in the audience who may not have heard the Theremin before, it is interesting to know that this instrument is named after its inventor, Russian scientist Theremin, and is unique in that the performer never touches it while playing. Tone is produced when the performer enters an electromagnetic field that is developed about the instrument. The pitch becomes higher or lower as the right hand approaches or moves away from the vertical rod; the volume is controlled by the distance of the left hand from the metal loop.&lt;/p&gt;</text>
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              <text>&lt;p&gt;&lt;strong&gt;CLARA ROCKMORE&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Clara Rockmore, who is Russian by birth and a former concert violinist, was one of the first to envision the great possibilities of the theremin as a concert instrument. Under the inventor's personal guidance she learned to master its intricate and difficult technique, and demonstrated extraordinary qualifications, foremost of which was the accuracy with which she produced the desired pitch from the air—“aerial fingering,” as one critic has since termed it.&lt;/p&gt;
&lt;p&gt;The first public demonstration of the theremin as a concert instrument was given by Miss Rockmore in Town Hall, New York, on October 30, 1934. It is Miss Rockmore's virtuosity, her dignity and worth as an artist, that has transformed the theremin from a scientific marvel into a legitimate musical instrument.&lt;/p&gt;</text>
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                <text>1940-1941 Clara Rockmore (w/ Paul Robeson) Concert Program #2</text>
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                <text>Clara Rockmore; Theremin; Program; Recital;</text>
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                <text>Here's the second Clara Rockmore recital program to be featured in the theremin museum. In the 1940s, Clara Rockmore toured with singer Paul Robeson. A variety of information is described about Clara Rockmore and Leon Theremin's musical instrument. Enjoy the historical rarity of what is said about the theremin during this time period! </text>
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              <elementText elementTextId="291">
                <text>Public Domain (?)</text>
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            <name>Date</name>
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                <text>Public Domain (?)</text>
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